Washington State Magazine

Washington State Magazine :: Fall 2013


Fall 2013

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In This Issue...

Features

Water to the Promised Land :: As an aquifer declines, Columbia Basin farmers look to water promised them 80 years ago. by Tim Steury

{ WEB EXCLUSIVE–Map: Interactive map of the Columbia Basin Project }

{ WEB EXCLUSIVE–Background: The Columbia Basin Project’s past and present }

{ WEB EXCLUSIVE–Gallery: Irrigation Images of the Columbia Basin by Zach Mazur}

Booze, Sex, and Reality Check :: Student drinking may always be with us, but behavior modification could make it less risky. by Hannelore Sudermann

{ WEB EXCLUSIVE–Video: Booze, Sex, and Reality Checks demonstration }

If You Don’t Snooze, You Lose :: Chances are, you do not get enough sleep. And that could be dangerous. by Eric Sorensen

{ WEB EXCLUSIVE–Video: WSU Spokane’s Deadly Force Decision-making Simulator Bryan Vila at the WSU Sleep and Performance Center }

{ WEB EXCLUSIVE–Story: Fatigue at Sea: A Circumnavigator’s Story }

Panoramas

{ WEB EXCLUSIVE–Video: How to say “Go Cougs” in sign language }

{ WEB EXCLUSIVE–Gallery: A fitting business: Businesswoman and tailor Lucy Stevenson Photographs by Robert Hubner}

{ WEB EXCLUSIVE–Video: Soccer concussions }

Departments

:: First Words

:: Posts

:: Short subject: Constant coffee

:: Sports: Composing Cougar soccer

{ WEB EXCLUSIVE–Recipes: Sweet Corn }

{ WEB EXCLUSIVE–Story: The original story of Nature Boy }

Tracking

{ WEB EXCLUSIVE–Music: Compositions of Charles Argersinger }

New Media

Oceania and the Victorian Imagination: Where All Things Are Possible edited by Richard D. Fulton ’75 PhD and Peter H. Hoffenberg

Love Reports to Spring Training by Linda Kittell

Rugged Mercy: A Country Doctor in Idaho’s Sun Valley by Robert S. Wright

New & Noteworthy: Luna Sea by Kim Roberts ’82; The Boys From Ireland: An Irish Immigrant Family’s Involvement in the Civil War by Neil W. Moloney ’53; Biodesign Out for a Walk by Lowell Harrison Young ’72; Characterization of Biomaterials edited by Amit Bandyopadhyay and Susmita Bose

Cover: “Irrigation” by Mark Zack, acrylic on canvas, 2010.

Panoramas
The costume museum management class exhibit of Lucy Stevenson's work at WSU Manuscripts, Archives, and Special Collections. Photo Robert Hubner

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The costume museum management class exhibit of Lucy Stevenson’s work at WSU Manuscripts, Archives, and Special Collections. Photo Robert Hubner

Loralyn Young '62. Courtesy WSU Department of Apparel, Merchandising, Design, and Textiles.

Loralyn Young ’62. Courtesy WSU Department of Apparel, Merchandising, Design, and Textiles

A fitting business

by | © Washington State University

Growing up, Loralyn Young ’62 heard different versions of her Grandma Lucy, her grandmother’s mother. She was a Pennsylvania-born girl from a large family and for some time was apprenticed to a tailor. She married a homesteader more than 30 years her senior, and was widowed in Kansas with a young child at the age of 35. She later married Civil War veteran John Stevenson and started her second life. Then they moved to Washington where, at the age of 60, Lucy opened her own hat and dressmaking business in Issaquah. From some accounts, she was clever and hardworking. From others, precise and demanding.

“My uncle told me one time that she ruled with an iron fist,” says Young, raising her hand. “No smoking in the house. Do things her way.” In a lifetime of family letters, Lucy Stevenson comes across as strong-willed and independent.

From Young’s mother, she had more of a picture of a close and caring grandmother who doted on her baby granddaughter. “In her aging years, my mother would say ‘Oh, I miss my grandma,’” she says.

But Grandma Lucy was also a tempting mystery. “When I was growing up, I stayed a lot with my grandmother (Lucy’s daughter Willa),” says Young. “I would sneak upstairs and explore.” Finding crates and trunks, little Loralyn simply had to pry open the lids and peek inside. “I remember finding beautiful light lavender silk from a dress and lots of feathers, egret feathers, long beautiful and white, and long black ones.” She also found celluloid fruit, cherries and berries, black bird wings, and “all kinds of wonderful stuff.” But the explorations would come to a quick end when her grandmother would miss her and call her back downstairs.

As the years passed, the trunks moved to Young’s mother’s home and then to her own. Besides letters, papers, and family tokens, there were the materials, the ribbons, buttons, the needlepoint, and the lace that seemed too precious to just throw away. Young wondered, “What to do?” One day, she found the answer in a Washington State Magazine story about Washington State University’s costume and textile collection.

She called curator Linda Bradley, who was somewhat intrigued by Young’s inheritance. “But when it showed up on campus, I was really excited,” says Bradley. The artifacts included a century-old German thread cabinet, a quilted petticoat, a sewing rocking chair, and goods for building hats. “Items that can provide a scenario of what life had been like,” says Bradley.

It was a feast of fresh material for Bradley’s students, who were enrolled in a museum costume management course last spring.

When Stevenson moved here in 1894, Washington itself “was pretty rough and tumble at that point,” says Bradley. She sent student Abby Conley to do more research over winter break. Issaquah, the town where the Stevensons settled, was called Gilman at the time. Its residents farmed, cut timber, and worked as coal miners. “It was interesting to take a look at where she [Lucy Stevenson] was in history,” says Conley. “And that she was building something in her own name.”

She had her own store, on property only in her name. Perhaps she learned something about owning property years earlier after her first husband died. She also had tailoring and bookkeeping skills to use in supporting herself and managing her money.

In the process of finding a home for Lucy’s things, Young herself learned more about her family and her community. And she provided a catalyst for WSU’s students to focus on a particular time in history. “I so much wanted the kids to parallel that economic and cultural time with our current time and culture, bank failures and all,” says Young.

Last spring Bradley’s class on costume museum management blended items from Stevenson’s shop with pieces from the existing costume collection to create an exhibit exploring Lucy’s story and fashion and history at the turn of the last century.

Education was so important to her mother and her family, says Young. Finding a home at a university for their heirlooms is fitting. “I am so glad they accepted it,” she says of the donation. “And that they did something with it.”

Categories: Architecture and design, History | Tags: Apparel design, Women in business, Exhibit

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